You don't need more creative people. You need a crew.
We produce video under your agency's name. You sell it, we shoot it, and nobody from your team has to be on set.
The crew behind your agency.
Agency introduction film coming soon.You own the relationship. We run production.
Your client has never been on camera and they're nervous. The location changed this morning. The light is going. Somebody has to make the call.
That's us. Not you.
We build the shot list before the shoot, direct your client through it, and run the day from load-in to wrap. You don't have to attend. If you do, you're there as the owner — not as the person holding the plan together.
Three, five or eight production days a month, held on our calendar before you've sold them. When a client asks for video on a Tuesday, you already know the answer is yes.
Not "let me check if we have room." Held.
You can promise a client a shoot date before you've signed the work, because the days are already yours. Everything delivered within five business days of the shoot.
We never contact your clients directly. Not for a referral, not for feedback, not once. It's in the agreement.
Your client meets one agency on that shoot, and it's yours. We're introduced by you, we answer to you, and we leave when it's done.
The production process
We ask about your roster, your production demand, and how your creative workflow runs today.
Two full months of reserved capacity, deployed across whichever clients need it.
we review output, workflow and fit, then continue at the same monthly rate — or we don't.
Reserved production capacity
À la carte — $1,500 per production shoot. One shoot, no plan.
Reserved every month
$4,000/mo
3 production shoots
Flexible client allocation.
Your agency. Your roster.
Most popular
$6,000/mo
5 production shoots
Flexible client allocation.
Your agency. Your roster.
Limited availability
$9,000/mo
8 production shoots
Flexible client allocation.
Your agency. Your roster.
Flexible client allocation — each included shoot goes to whichever client the agency chooses. One production shoot is up to 4 hours on location, pre-production, creative direction, standard post, one revision round, delivered in five business days. Shoots are booked time, not billed by the hour — a day that runs long adds full hours at $200, agreed on the spot.
Most of what we do for agencies is recurring content production. When one of your clients needs something bigger — a brand film, a commercial, a full campaign — we scope that separately. Partners get first call on our calendar.
Before we talk
We produce video under your agency's name. You sell it and you own the client relationship; we run pre-production, direct the shoot on location, and deliver finished work.
Editing services cut footage you send them. We shoot it. The planning, the direction and the day itself are ours — the half that usually stays on your desk.
No. We're introduced by you, we answer to you, and we never contact your clients directly. It's in the agreement.
Plans start at $4,000 a month for three production shoots, and a single à la carte shoot is $1,500. Every partnership opens with a paid sixty-day pilot — you'll get the full structure on the call.
Coral Springs outward — Fort Lauderdale to West Palm Beach. Outside that we quote travel.
Yes. Everyone starts with three blocks in thirty days. At day sixty we set a monthly rate, or we don't.
The next step
Tell us about your agency. Then find a time to talk.
Fifteen minutes. Your roster, your production demand, and a clear next step.